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		<title>Trudy Montgomery</title>
		<link>http://MELISSAMORGANFINEART.COM/?p=2787</link>
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		<pubDate>Thu, 14 Mar 2013 18:01:06 +0000</pubDate>
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<a href="http://MELISSAMORGANFINEART.COM/wp-content/gallery/trudy-montgomery/fields-of-gold-84x60.jpg" title="Fields of Gold &lt;br&gt;
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84 x 60 inches &lt;br&gt;" rel="lightbox[singlepic335]" >
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		<title>Melissa Morgan Fine Art</title>
		<link>http://MELISSAMORGANFINEART.COM/?p=572</link>
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		<pubDate>Mon, 07 Mar 2011 23:59:43 +0000</pubDate>
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		<title>Light And Space</title>
		<link>http://MELISSAMORGANFINEART.COM/?p=1</link>
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		<pubDate>Mon, 06 Sep 2010 03:34:22 +0000</pubDate>
		<dc:creator>bduffy</dc:creator>
				<category><![CDATA[Previous Exhibitions]]></category>

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		<description><![CDATA[Deborah Oropallo]]></description>
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<td style="text-align: left;" width="70%" align="left" valign="top"><strong>Greetings!</strong></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 1em; padding-left: 0px; margin: 0px;">Southern California has long been regarded as the less accomplished sibling in the artworld when compared to its obviously proud brother in New York&#8217;s Chelsea, Soho and Williamsburg scenes. The overshadowing of our regional artists has long been a point of debate in the art world &#8211; our identity often being swallowed into the more influential galleries and museums in the east coast and internationally. All of this is about to change.</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 1em; padding-left: 0px; margin: 0px;">Taking cues from the now internationally recognized heroes of West Coast abstraction, such as Karl Benjamin, Lorser Feidelston, Frederick Hammersly and Tony Delap, rise the new generation of contemporary abstractionists who have quickly become the toast of the regional, New York, and Western European scenes.</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 1em; padding-left: 0px; margin: 0px;">Represented in this group show are the mesmerizing works of Andy Moses, Terri Yarbrow and Max Almy, Gisela Colon, Greg Renfrow, Eric Johnson, Jesse Small, Trudy Montgomery, and Patti Parsons. From shimmering pearlescent pigments to geometric patterns resurrected from Mid-Century Modernists, from painterly surfaces in ever shifting colors to light sensitive phosphorescents and flames projected on panels, from sublime works of pure abstraction and minimalism to hints of abstracted landscapes, a uniting theme relates these artists to each other. This is art that was born in Southern California. There is a nod to the original &#8220;finish fetish&#8221; movement of the 60&#8242;s with its borrowing of materials and surface from the prevalent car and surf culture of the region; acrylics and pinstripes, thick resins and candy coated surfaces can be seen throughout the body of works. Clearly however this is a movement for the new generation. There is a sense of freshness to the work that looks like it took those 40 odd years to evolve, to fine tune, to reinvent and perfect. This is something that could only have been born from the region and an unintentional counter to the entrenched elitist art scene of New York. In a time when even the well respected conceptual works seem routine and contrived, a return to beauty is welcomed world wide.</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 1em; padding-left: 0px; margin: 0px;">Please join us for our public reception of this blockbuster show:</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 1em; padding-left: 0px; font-size: 14pt; margin: 0px;">Saturday, February 19th, 2011, 5:30pm at the gallery.</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 1em; padding-left: 0px; font-size: 14pt; margin: 0px;">73-040 El Paseo, Palm Desert, CA</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 1em; padding-left: 0px; font-size: 10pt; margin: 0px;">If you have any questions, we can be reached at:</p>
<p class="ccFontUpdated" style="padding-top: 0px; padding-right: 0px; padding-bottom: 1em; padding-left: 0px; font-size: 14pt; margin: 0px;">1.760.341.1056 or info@melissamorganfineart.com</p>
<p class="ccFontUpdated" style="padding-top: 0px; padding-right: 0px; padding-bottom: 1em; padding-left: 0px; font-size: 14pt; margin: 0px;">www.melissamorganfineart.com</p>
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<td style="text-align: left;" align="left" valign="top"><img src="http://palebluedot.ca/mmfa/wp-content/gallery/andy-moses/Meribah.jpg?1256461985" border="0" alt="matt rogers 2" vspace="5" width="275" height="126" align="right" /></p>
<div style="color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 18pt;">Andy Moses</div>
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<p style="text-align: left; margin-top: 0px; margin-bottom: 0px;">Los Angeles artist, Andy Moses, son of Ed Moses, has been exhibiting his paintings since the late &#8217;80s. In the last few years he has developed an abstract version of seascape painting indebted to the precedents of Finish Fetish. Andy Moses&#8217;s paintings are characterized by exceptional control of his pearlescent acrylic medium and its luminous effects. The curved shape of the concave custom-made canvas not only enhances the light bouncing off the reflective pigments but also gives the viewer the sense of being surrounded by the image as if one could walk into the deep space created by smooth horizontal stripes.</p>
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<td style="text-align: left;" align="left" valign="top"><img src="http://i.imgur.com/mPJFW.jpg" border="0" alt="matt rogers 2" vspace="5" width="276" height="153" align="right" /></p>
<div style="color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 18pt;">Gisela Colón</div>
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<p style="text-align: left; margin-top: 0px; margin-bottom: 0px;">Colón&#8217;s paintings brim with this lustrous allure, and with the nostalgia that flavors it, particularly as rendered by a sensibility formed just outside the postwar bubble.</p>
<p style="text-align: left; margin-top: 0px; margin-bottom: 0px;">But in their reflective surfaces and vibrating shapes Colón&#8217;s paintings brim as well with a restless energy, a potential for entropy, metamorphosis, even cataclysm. If they reflect back to the postwar era that Colón never knew, they reflect forward to the post-digital age that Colón&#8217;s children will inhabit, an age not of limitless possibilities but urgent necessities and rapidly changing realities. Colón&#8217;s painting can at first seem decorative and self-contained; but it is fraught with pathos, and at the same time radiates hope. It summarizes Modernist abstraction even as it looks forward to a newer, humbler neo-Modernism. In its message as well as its material it is built to last.</p>
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<div style="color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 18pt;">Trudy Montgomery</div>
<p><img class="ngg-singlepic ngg-right alignright" style="border: 0px initial initial;" src="http://palebluedot.ca/mmfa/wp-content/gallery/trudy-montgomery/alice-60x84.jpg" alt="Trudy Montgomery" width="234" height="166" align="right" /></p>
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<p style="text-align: left; margin-top: 0px; margin-bottom: 0px;">Trudy&#8217;s approach to abstract painting is founded on an exploration of color and compositional harmony, drawing inspiration from natural open spaces and coastline experienced in her travels and in her native England and adopted home of California, where she has lived since 1999.Working primarily in oils and acrylics, Trudy paints with a bold use of color and the energy of gesture. Her paintings portray a vitality derived from putting her energy into the canvas while allowing the composition to evolve naturally.</p>
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<td style="text-align: left;" align="left" valign="top"><img src="http://i.imgur.com/vXSrp.jpg" border="0" alt="matt rogers 2" vspace="5" width="193" height="271" align="right" /></p>
<div style="color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 18pt;">Max Almy and</div>
<div style="color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 18pt;">Terri Yarbrow</div>
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<p style="text-align: left; margin-top: 0px; margin-bottom: 0px;">Max Almy is an award winning, internationally recognized and exhibited video and new media artist. She has experimented with video, film, computer and interactive media in works ranging from multi-media installations to single channel works for exhibition and broadcast. Her works are characterized by experimental narrative structure, compelling visuals and content that often critiques and satirizes contemporary life.</p>
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<p>Teri Yarbrow&#8217;s artistic career began with two dimensional media including oil painting, collage and gaphics, exploring approaches to process painting and abstract structure. These early works were exhibited in one woman and groups shows at Barnsdale and galleries in Los Angeles, San Francisco and New York. Her works were characterized by interest in dream, myth and transformative imagery. In 1982, she began experimental approaches to moving imagery using video, film and computers. She created numerous single channel video works and exhibited extensively in international festivals and exhibitions.</p>
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<td style="text-align: left;" align="left" valign="top"><img style="text-align: right;" src="http://i.imgur.com/8s75f.jpg" border="0" alt="matt rogers 2" vspace="5" width="184" height="276" align="right" /><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: 24px; color: #ffffff;">Eric Johnson</span></p>
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<p style="text-align: left; margin-top: 0px; margin-bottom: 0px;">In the tradition of Dwayne Valentine and Craig Kaufman. Eric Johnson is a master sculptor in resin. Often using balsa wood frames as substructures, Eric creates floating objects whose sublime textures and form act as perfect vehicles for the contrasts of light and space.</p>
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<td style="text-align: left;" align="left" valign="top"><img src="http://i.imgur.com/Ujpey.jpg" border="0" alt="matt rogers 2" vspace="5" width="240" height="252" align="right" /></p>
<div style="color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 18pt;">Gregg Renfrow</div>
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<p style="text-align: left; margin-top: 0px; margin-bottom: 0px;">Northern California based artist Gregg Renfrow uses minimal color to produce luminescent paintings on cast acrylic surfaces. Since his graduation from the San Francisco Art Institute in the mid 1970&#8242;s Renfrow has produced subtle light infused paintings. Renfrow creates his illusionistic pieces by pouring thin uninterrupted washes of color onto acrylic supports &#8211; allowing each thin layer to set without obvious manipulation. Each completed panel is hung slightly away from the wall allowing light to reflect off of and through the paintings. This precise use of materials results in paintings that appear to float on the wall capturing and encasing light and color.</p>
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<td style="text-align: left;" align="left" valign="top"><img src="http://i.imgur.com/X4edg.jpg" border="0" alt="matt rogers 2" vspace="5" width="170" height="170" align="right" /></p>
<div style="color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 18pt;">Patti Parsons</div>
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<p style="text-align: left; margin-top: 0px; margin-bottom: 0px;">Patti Parsons&#8217;s work, with paint and short video, explores the process of growth. Fixing the mistake, seeing what is there and not there, combining chance with systematic application, and learning/unlearning through repetition are all part of her investigation into how we evolve.</p>
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